Placeholder text

Go to cart

Montage as Perceptual Experience

By Mario Slugan

Montage as Perceptual Experience

By Mario Slugan

0 - Default Title
Description
Alfred Döblin's novel Berlin Alexanderplatz and its film adaptations by Jutzi and Fassbinder are canonical works of literature and cinema, and yet there is no monograph that treats all three. This omission is even more striking since Döblin's novel is seen as the most famous example of literary appropriation of film montage aesthetics. Mario Slugan addresses this glaring oversight by considering montage in experiential, historic, stylistic, and narratological terms. Starting from the novel argument that montage is best understood as a perceptual experience rather than as a juxtaposition of meaning, Slugan proposes that it was the perceived experiential similarity with Dada photomontage and Soviet montage films rather than any semantic contrast that made contemporary critics identify Berlin Alexanderplatz as the first novel to appropriate film montage. It was the perceived relative absence of montage in the filmings of the novel, moreover, that significantly contributed to their contemporary dismissals as failed adaptations. Slugan argues that both Jutzi's and Fassbinder's films nevertheless present innovative types of both visual and sound montage. These, in turn, allow for the articulation of medium-specific traits of film montage as opposed to those of literary montage, including the organization of time and space, the use of ready-made material, and the relation of montage to the figure of the narrator.
Product details
Number of Pages:
256
Release Date:
2017-10-01
Publication Date:
2017-10-01
Publisher:
Camden House
Languages:
Original: English
ISBN10:
1640140050
ISBN13:
9781640140059
GPSR Manufacturer Reference:
[email protected]
Weight:
571 g
Height:
157 cm
Width:
235 cm
Thickness:
20 cm
Buy on Amazon
Currently sold out