Forever Changes

#40 ON ROLLING STONE'S 500 GREATEST ALBUMS OF ALL TIME: ANTICIPATES LATE 1960S TURBULENCE VIA PROPHETIC SONGS AND DARK THEMES
1/4" / 15 IPS analog master to DSD 256 to analog console to lathe
Any discussion about the finest psychedelic rock record ever recorded is incomplete if it doesn't grant consideration to Love's Forever Changes. Ranked by Rolling Stone as the 40th greatest album ever made, and named by Mojo the second-greatest psychedelic set in history, the effort is an internationally recognized seminal work of art. Transcending language and convention, its magnitude and magnificence need to be heard again and again. For here is an effort whose mind-boggling acoustic complexities and kaleidoscopic nuances are tailored for high-fidelity playback.

Tracklist:

A1 Alone Again Or
A2 A House Is Not A Motel
A3 Andmoreagain
B1 The Daily Planet
B2 Old Man
B3 The Red Telephone
C1 Maybe The People Would Be The Times Or Between Clark And Hilldale
C2 Live And Let Live
C3 The Good Humor Man He Sees Everything Like This
D1 Bummer In The Summer
D2 You Set The Scene

Bass – Ken Forssi
Bass [Uncredited]– Carol Kaye (tracks: A3, B1)
Drums [Uncredited]– Hal Blaine (tracks: A3, B1)
Guitar – John Echols
Guitar, Vocals – Bryan Maclean
Guitar, Vocals, Written-By – Arthur Lee
Orchestrated By – David Angel (tracks: A2, A3, B1, B3, C1 to D2)

Nearly unlimited headroom, vast instrumental separation, transparent clarity, artifact-free atmospherics, and faithful balances appear out of jet-black backgrounds. Turn it up as loud as you want; the sole limitation will be your system's potential.

Commercially ignored upon release in November 1967, Forever Changes confronts the alienation, paranoia, violence, and strife that would soon plague the countercultural movement and send the Summer of Love into a tailspin. A