Revolution and the Form of the British Novel, 1790-1825

Name: Revolution and the Form of the British Novel, 1790-1825
Brand: OUP Oxford
Availability: OutOfStock
Rating: 5 (1 reviews)

By Watson, Nicola J.

0 - Default Title

Description

Whatever happened to the epistolary novel? Why was it that by 1825 the principal narrative form of eighteenth-century fiction has been replaced by the third-person and often historicised models which have predominated ever since?
Nicola Watson's original and wide-ranging study charts the suppression of epistolary fiction, exploring the attempted radicalization of the genre by Wollstonecraft and other feminists in the 1790s, its rejection and parody by Jane Austen and Maria Edgeworth, the increasingly discredited role played by letters in the historical novels of Jane Porter and Walter Scott, and their troubling, ghostly presence in the Gothic narratives of James Hogg and Charles Maturin. The shift in narrative method is seen as a response to anxieties about the French Revolution, with the epistolary, feminized, and sentimental plot replaced by a more authoritarian third-person mode as part of a wider redrawing of the relation between the individual and the social consensus.
This is a brilliant and innovative reading of the place of the novel in the reformulation of British national identity in the Napoleonic period, throwing new light on writers as diverse as Hazlitt, Charlotte Smith, Walter Scott, Helen Maria Williams, and Byron.

Product details

Edition:: 1
Number of Pages:: 236
Release Date:: 1994-03-24
Publication Date:: 1994-04-01
Publisher:: OUP Oxford
Languages:: Original: English
ISBN10:: 0198112971
ISBN13:: 9780198112976
GPSR Manufacturer Reference:: [email protected]
Weight:: 469 g
Height:: 14.5 cm
Width:: 22.2 cm
Thickness:: 1.8 cm

Buy on Amazon

Currently sold out

Add to Wishlist