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Practices of Projection
Practices of Projection
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Description
In Practices of Projection: Histories and Technologies, volume editors Gabriel Menotti and Virginia Crisp address the cultural and technological significance of projection. Throughout the volume, chapters reiterate that projection cannot, and must not, be reduced to its cinematic functions alone. Borrowing media theorist Siegfried Zielinksi's definition, Menotti and Crisp refer to projection as the "heterogeneous array of artefacts, technical systems, and particularly visual praxes of experimentation and of culture." From this, readers can understand the performative character of the moving image and the labor of the different actors involved in the utterance of the film text. Projection is not the same everywhere, nor equal all the time. Its systems are in permanent interaction with environmental circumstances, neighboring structures, local cultures, and social economies. Thus the idea of projection as a universal, fully autonomous operation cannot hold. Each occurrence of projection adds nuance to a wider understanding of film screening technologies.
Product details
Number of Pages:
300
Release Date:
2020-03-25
Publication Date:
2009-04-06
Publisher:
ACADEMIC
Languages:
Original:
English
ISBN10:
0190934115
ISBN13:
9780190934118
Weight:
617 g
Height:
161 cm
Width:
240 cm
Thickness:
21 cm
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