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Popular Music and the New Auteur
By Ashby
0 - Default Title
Description
Music videos widened the creative vocabulary of filmmaking: they increased speeds of event in cinema and deflecting filmmakers from narrative, characterization, and storytelling toward a concentration on situation, feeling, mood, and time. Popular Music and the New Auteur charts the impact of music videos on seven visionary directors: Martin Scorsese, Sofia Coppola, David Lynch, Wong Kar-Wai, the Coen brothers, Quentin Tarantino, and Wes Anderson. Ashby and his contributors define these filmmakers' relation to the soundtrack as their key authorial gesture. These filmmakers demonstrate a fresh kind of cinematic musicality by writing against music rather than against script, and allowing pop songs a determining role in narrative and imagery. Featuring important new theoretical work by some of the most stimulating and provocative writers in the area today, Popular Music and the New Auteur will be required reading for all who study film music and sound. It will also be particularly relevant for readers in popular music studies, and its intervention in the ongoing debate on auteurism will make it necessary reading in film studies.
Product details
Edition:
illustrated
Number of Pages:
230
Release Date:
2013-11-25
Publication Date:
2018-09-24
Publisher:
ACADEMIC
Languages:
Original:
English
ISBN10:
0199827338
ISBN13:
9780199827336
Weight:
514 g
Height:
161 cm
Width:
240 cm
Thickness:
17 cm
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